“Güeros 2015” is a Mexican indie film that captures the youthful energy of four characters on a quest for adventure. The black and white cinematography is like a blank canvas, allowing the colorful personalities to pop off the screen. The film delicately explores themes of identity, family, and revolution, making it both engaging and thought-provoking. Overall, “Güeros 2015” is a refreshing and dynamic addition to the coming-of-age genre.
CLICK HERE⇟⇟⇟🎞️_Watch Güeros 2015 English Subtitles_
Review
As I sit here watching the critically acclaimed film Güeros, I am transported to the vibrant streets of Mexico City in the late 1990s. This coming-of-age movie is a stunning collaboration between director Alonso Ruizpalacios and his co-writer, Gibrán Portela.
The storyline revolves around three young men who embark on an adventure to find a reclusive musician named Epigmenio Cruz. The protagonist, Tomás (played by Sebastián Aguirre), is sent to live with his older brother Sombra (Tenoch Huerta) in Mexico City after causing trouble at his previous school. Accompanied by Sombra’s friend Santos (Leonardo Ortizgris), the trio sets off on a journey through the city.
What sets this film apart is its unique take on the coming-of-age genre. Many movies of this type focus on teenage angst and first loves, Güeros instead explores themes of identity, urban decay, and artistic expression.
The plot is intertwined with true events that occurred in Mexico in 1999, when student protests led to a national strike that lasted nine months. The filmmakers use this backdrop to provide social commentary on political issues in Mexico at that time.
The cast of Güeros is exceptional and delivers performances that are raw and honest. Sebastián Aguirre portrays Tomás’s naïve innocence with ease, while Tenoch Huerta embodies Sombra’s disillusionment with life and society. Leonardo Ortizgris provides excellent comic relief as Santos.
One of the standout moments in the film comes from actor Ilse Salas, who plays Ana, a woman who guides Tomás through the city. In one scene, Ana explains her frustration with Mexican political corruption. “We are all angry,” she says, “but we just don’t know what to do about it.”
Another notable aspect of Güeros is its stunning cinematography. The film was shot entirely in black and white, which adds to the gritty and raw feeling of the story. The city of Mexico is portrayed with vivid detail, capturing both its beauty and decay.
The soundtrack is another highlight of the film, featuring a mix of contemporary and classic Mexican music. The score was composed by Tomas Barreiro and covers a range of genres from rock to hip-hop.
Since its release, Güeros has been embraced by audiences and critics alike. It won several awards at the Berlin International Film Festival, including Best First Feature. The film has also been screened at numerous film festivals around the world.
In conclusion, Güeros is a remarkable film that captures the essence of Mexico City in the late 1990s with exquisite detail. Its themes of identity, urban decay, artistic expression, and political corruption resonate deeply with audiences today. I highly recommend this movie to anyone who loves independent cinema and wants to experience something truly special.
Technical Data
- Runtime : 106
- Release : 2015-03-20
- Genre : Drama, Comedy
- Cast : Sebastián Aguirre as Tomás, Tenoch Huerta Mejía as Sombra, Leonardo Ortizgris as Santos, Ilse Salas as Ana, Raúl Briones as Furia
- Crew : Sandra Cabriada as Production Design, Yibrán Asuad as Editor, Tomás Barreiro as Original Music Composer, Gibrán Portela as Writer, Gabriel Reyna as Sound Designer
- Popularity 7.48
- Budget : 0
- Revenue : 0
- Company : Instituto Mexicano de Cinematografía, Consejo Nacional para la cultura y las artes, Catatonia Films
- Summary : Set amidst the 1999 student strikes in Mexico City, this coming-of-age tale finds two brothers venturing through the city in a sentimental search for an aging legendary musician. Shot in black-and-white, Güeros brims with youthful exuberance.
- Tagline : Being young and not being revolutionary is an even biological contradiction.
