In “Neon Genesis Evangelion: The End of Evangelion 1997,” the world ends as a boy named Shinji must confront his inner demons and battle gigantic angels. The film is a visceral, mind-bending experience that leaves viewers questioning what it means to be human.
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Review
In the year 1995, a revolution in the art of anime filmmaking occurred with the release of Neon Genesis Evangelion. This series changed the entire genre of anime and created a cult following that has not dissipated in over two decades. In 1997, director Hideaki Anno released a feature film follow-up to the TV series titled “Neon Genesis Evangelion: The End of Evangelion.” This film has been considered one of the most provocative, controversial and brilliant animated films ever made.
The storyline of “The End of Evangelion” picks up where the TV series left off. The world is on the brink of destruction, and humanity’s only hope lies with NERV – a United Nations agency tasked with fighting an unknown enemy called “angels” using giant mecha known as “EVAs.” The plot centers around fourteen-year-old Shinji Ikari, who is tasked with piloting EVA-01. Despite being initially reluctant to fight, Shinji ultimately realizes how vital his role is in saving humanity.
One notable fact about this film is that it was released amidst controversy surrounding Hideaki Anno’s mental state during its production. Rumors circulated that he had been hospitalized due to severe depression and exhaustion after finishing the television series’s final episodes. Fans have drawn parallels between Anno’s own battles with depression and anxiety and those experienced by Shinji throughout both “Neon Genesis Evangelion” and “The End of Evangelion.”
The cast for “The End of Evangelion” includes Megumi Ogata as Shinji Ikari, Megumi Hayashibara as Rei Ayanami, Yuko Miyamura as Asuka Langley Soryu and Kotono Mitsuishi as Misato Katsuragi. Their voice acting performances have been widely praised for their emotional depth in bringing their respective characters to life.
One iconic quote from “The End of Evangelion” comes in the form of Misato Katsuragi’s final words: “Anywhere can be paradise as long as you have the will to live. After all, you are alive, so you will always have the chance to be happy. As long as the sun, the moon, and the earth exist, everything will be alright.” This quote has been used in many contexts and has inspired countless people worldwide.
The film’s popularity lies in its incredible score, which was produced by composer Shiro Sagisu. The soundtrack includes operatic vocals, cello solos and percussion beats that help elevate moments of intense action and emotional introspection alike.
The cinematography work on this film is exceptional. It seamlessly blends traditional hand-drawn animation with computer-generated imagery and dynamic camera movements to create a visually stunning masterpiece.
In terms of awards and accolades, “The End of Evangelion” won numerous film festival awards upon its release but was not recognized by mainstream award shows due to its niche appeal.
One significant aspect of this film’s production is the intense amount of attention paid to its special effects. Having been released before digital animation became standard practice, “The End of Evangelion” utilized cutting-edge practical effects techniques that were awe-inspiring at the time and still hold up today.
Upon release, “The End of Evangelion” received mixed reviews from critics. Despite this initial criticism, it has gone on to become one of anime’s most iconic films thanks to its stunning visuals and intelligent writing.
Some standout scenes include Shinji struggling with his identity as a pilot while watching an operatic performance or Asuka’s brutal battle against the angel army while fighting alongside her mother’s consciousness. These scenes leave an indelible impression on viewers due to their emotional intensity.
There were rumors circulating at the time that creator Hideaki Anno had intended for “The End Of Evangelion” to be a direct response to fan backlash regarding his original television ending. While this claim remains unsubstantiated, it is clear that the film represents a drastic departure from the show’s final episodes.
Despite its controversial reputation, “The End Of Evangelion” remains a beloved and significant work in the anime canon. It has inspired countless films and television shows and continues to be popular among fans of the genre to this day.
In conclusion, “Neon Genesis Evangelion: The End of Evangelion” is a landmark achievement in anime filmmaking. Its combination of stunning visuals, intense emotional introspection and intricate storytelling raise it above its peers in terms of quality and artistry. It remains an essential cinematic experience for any fan of animation or culture-bending media alike.
Technical Data
- Runtime : 87
- Release : 1997-07-19
- Genre : Animation, Science Fiction, Action
- Cast : Megumi Ogata as Shinji Ikari (voice), Megumi Hayashibara as Rei Ayanami / Yui Ikari (voice), Kotono Mitsuishi as Misato Katsuragi (voice), Yuko Miyamura as Asuka Langley Soryu (voice), Fumihiko Tachiki as Gendo Ikari (voice)
- Crew : Tensai Okamura as Key Animation, Mitsuhisa Ishikawa as Producer, Hisao Shirai as Director of Photography, Kazuchika Kise as Animation Director, Shiro Sagisu as Original Music Composer
- Popularity 37.659
- Budget : 0
- Revenue : $20,000,000
- Company : GAINAX, movic, Star Child Recording
- Summary : The second of two theatrically released follow-ups to the Neon Genesis Evangelion series. Comprising of two alternate episodes which were first intended to take the place of episodes 25 and 26, this finale answers many of the questions surrounding the series, while also opening up some new possibilities.
- Tagline : The fate of destruction is also the joy of rebirth
