“The Exterminating Angels” is a French film about a director who uses actresses to act out his erotic fantasies, while a mysterious force watches and manipulates their actions. The film explores themes of voyeurism, power dynamics, and the blurred lines between reality and fantasy. It is both seductive and disturbing, leaving the viewer feeling both fascinated and uneasy.
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Review
The Exterminating Angels: A Delightful and Scandalous Production
Let me tell you, my dear readers, of a movie that has made its way into the hearts and minds of many a film buff. The Exterminating Angels, released in 2006, directed by Jean-Claude Brisseau, is a French film that deals with themes of sexuality, desire, and the different ways in which people express themselves. It’s a work of art that’s both thought-provoking and highly controversial.
The story follows an independent French filmmaker named François (Frédéric van den Driessche), who is working on a new project about female sexuality. He’s looking for inspiration from the women he encounters but finds himself struggling to get the desired performances out of them. Despite his best efforts to coax them into performing erotically charged scenes in front of the camera, they seem hesitant or even resistant.
That’s when something strange happens – François discovers that some of these women have been experiencing something he calls “the angel effect.” This seems to be some kind of mystical influence that makes them feel more liberated sexually. The more they surrender to this feeling, the more intense their sexual experiences become.
Despite the fact that The Exterminating Angels was met with negative critical reception when it was first released – it was even banned in some countries – it gained somewhat of a cult following over time due to its provocative nature.
The movie is not just known for its risqué plot; it also had to contend with controversy surrounding its production: Brisseau was accused of sexually harassing one of the actresses during casting; he was acquitted but reportedly suffered through severe depression due to the accusations and ultimately never made another feature-length film before his death in 2019.
But let us not focus on negativity alone; The Exterminating Angels undoubtedly has some merits worth highlighting. For starters, Van den Driessche’s performance as François is quite mesmerizing and gripping. He manages to capture the character’s many moods and shades, from his desperation for inspiration to his own struggles with power dynamics on set.
The actresses themselves are also a highlight, with some performances being more effective than others depending on the scene. Among them is Maroussia Dubreuil, who plays one of the women experiencing “the angel effect”; her performance is filled with a sense of tormented longing, something viewers can’t help but feel sympathetic towards.
It’s also worth noting the film’s evocative sound design; the soundtrack’s use of classical pieces heightens the tension that runs throughout the film. All in all, it’s a tightly constructed work of cinema that still packs a punch despite its age.
And yet… while The Exterminating Angels tackles some interesting themes surrounding sex and desire, it sometimes struggles to deliver on them. Some scenes seem to drag on for too long, and certain plot points end up feeling unresolved or ambiguous. This might be due to Brisseau’s particular directorial style; there are moments where he seems more interested in conveying how he feels about sexuality than advancing the narrative.
Despite its flaws – or maybe because of them – The Exterminating Angels remains an intriguing piece of cinema that you shouldn’t miss out on. It challenges viewers’ perceptions about how they view sexuality in art; it raises important questions about filmmaking, power dynamics between actors and directors, and whether creative endeavors should push boundaries for artistic merit alone or if artists have a responsibility to not cause harm through their work.
In conclusion, The Exterminating Angels is a must-see for those interested in exploring provocative cinema. It may not be suitable for everyone due to its explicit content but it definitely provides food for thought – that is if you’re feeling brave enough to watch it!
Technical Data
- Runtime : 103
- Release : 2006-09-13
- Genre : Drama, Fantasy
- Cast : Maroussia Dubreuil as Charlotte, Lise Bellynck as Julie, Marie Allan as Stéphanie, Frédéric van den Driessche as François, Jeanne Cellard as Grandmother
- Crew : Gilles Sacuto as Producer, Miléna Poylo as Producer, Jean Musy as Music, Lise Bellynck as Associate Producer, Jean-Claude Brisseau as Director
- Popularity 15.919
- Budget : 0
- Revenue : $154,210
- Company : Soficinéma 2, TS Productions, La Sorcière Rouge
- Summary : A filmmaker holds a series of boundary-pushing auditions for his latest project: a thriller on the subject of female pleasure.
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