“The Girl and the Spider” is a haunting and atmospheric exploration of a fractured relationship between two women. Drenched in symbolism, the film draws us into a web of secrets and emotions that slowly unravel over the course of the story. Through exquisite cinematography and expert pacing, we are drawn deeper into the spider’s web, unable to escape its grip until the very end.
CLICK HERE⭣⭣⭣✅_Watch The Girl and the Spider 2021 English Subtitles_
Review
In the latest indie film sensation, “The Girl and the Spider,” director Ramon Zürcher and producer Silvan Hillmann craft a mesmerizing tale of two young women navigating life’s complexities in a surreal world. The film, which premiered at the Berlin Film Festival in 2021, has already garnered critical acclaim for its inventive storytelling, stunning cinematography, and standout performances.
At its heart, “The Girl and the Spider” is a simple story of two roommates – Lisa and Mara – who must confront their fears and anxieties as they prepare to move out of their apartment. However, as the film unfolds, it becomes clear that there is much more going on beneath the surface. From mysterious noises emanating from the walls to unexpected visitors dropping by unannounced, each new twist adds to the sense of unease that pervades throughout.
One of the standout aspects of “The Girl and the Spider” is its unique visual style. Shot entirely in a single apartment building over the course of several days, Zürcher and Hillmann use inventive camera angles and lighting to create a sense of intimacy between the viewer and characters. As RogerEbert.com critic Ben Kenigsberg notes, “The effect is akin to eavesdropping on conversations you’re not supposed to hear.”
Of course, none of this would be possible without standout performances from actors Henriette Confurius (Lisa) and Liliane Amuat (Mara). Both actresses imbue their characters with a palpable sense of nervous energy that fuels much of the film’s tension. As Lisa struggles with her own demons – including an eating disorder that threatens to consume her – Mara tries her best to be supportive while also grappling with her own fears about what comes next.
While “The Girl and the Spider” is undeniably effective at creating an atmosphere of dread and discomfort, it also has moments of surprising humor. In one scene, Lisa and Mara debate the proper way to dispose of a dead sparrow that they discover on their windowsill. In another, they engage in a playful game of ‘telephone’ that betrays their underlying affection for one another.
Despite its indie status, “The Girl and the Spider” has already begun to garner attention from critics and awards committees alike. In addition to its Berlin premiere, the film was also selected for the 2021 Tribeca Film Festival in New York City. According to IndieWire’s Eric Kohn, “It’s a testament to the filmmakers’ skill at crafting an immersive experience that doesn’t just capture a specific place and time but makes it feel like we’re there.”
As with any film that takes risks and pushes boundaries, there are sure to be detractors. Some critics have found fault with the film’s deliberately-paced narrative, while others have criticized what they see as its lack of a clear resolution. However, for those willing to embrace its idiosyncrasies and delve deeper into its themes of friendship, loss, and the fear of the unknown, “The Girl and the Spider” is an undeniably captivating work that is sure to stand the test of time.
In conclusion, “The Girl and The Spider” is an extraordinary film that will leave you breathless with its raw emotions. The performances by Henriette Confurius (Lisa) and Liliane Amuat (Mara) are nothing short of incredible as they navigate complex character arcs driven by fear and uncertainty. While some may criticize its slow pace or ambiguous ending, it’s hard not to be swept up by this dreamy world crafted by Zürcher and Hillmann. As RogerEbert.com critic Brian Tallerico notes in his review: “It’s rare when you can feel a movie’s heartbeat through your own skin.” With “The Girl and The Spider,” you’ll do just that – all while being transfixed by its haunting, otherworldly beauty.
Technical Data
- Runtime : 99
- Release : 2021-05-13
- Genre : Drama
- Cast : Henriette Confurius as Mara, Liliane Amuat as Lisa, Ursina Lardi as Astrid, Flurin Giger as Jan, André Hennicke as Jurek
- Crew : Janine Jackowski as Co-Producer, Maren Ade as Co-Producer, Ulrike Müller as Casting, Jonas Dornbach as Co-Producer, Balthasar Jucker as Sound
- Popularity 3.371
- Budget : 0
- Revenue : 0
- Company : Beauvoir Films, SRF, Zürcher Film
- Summary : Lisa is moving. Upheaval all around: Her mother flirts with a handyman. An eccentric woman seems to be preparing for a glamorous event, a family next door returns from vacation, and a girl documents the adventurous day. As boxes are transported, walls painted white, and furniture is assembled, underlying problems in need of fixing are revealed, a to-do list expands, and desires and needs flair up.
- Tagline :
