“The Monster 1994” is a thriller-horror film about a horrifically disfigured man, known as “The Shadow,” who stalks and murders his victims in the dark alleys of a city. He is relentless and terrifying, like a nightmare that never ends. The movie follows the harrowing journey of a group of people who become trapped in an abandoned building, hunted by this monstrous killer. The tension is palpable, like a tightrope stretched to its breaking point. The fear is real, like icy fingers creeping up your spine. In the end, only the strongest survive this haunting nightmare.
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Review
The Monster: A Haunting Tale of Motherhood and Fear
Horror movies have always been a popular genre for film enthusiasts. The jump scares, eerie sound effects, and spine-chilling visuals make for an entertaining yet scary experience. But what about horror movies that delve deeper into the psyche of its characters? That is exactly what The Monster does.
Directed by Bryan Bertino, the movie revolves around a mother-daughter duo who get stranded on a deserted road in the middle of the night. As they wait for help to arrive, they realize that there is something lurking in the surrounding woods – something sinister and deadly.
The storyline may seem simple at first glance, but it is the execution that sets The Monster apart from other horror flicks. The movie delves deep into the fears and insecurities of its protagonists, exploring their troubled pasts and turbulent relationship. The bond between mother Kathy (played by Zoe Kazan) and daughter Lizzy (played by Ella Ballentine) may seem strained at first, but as they navigate through the horrors around them, their love for each other becomes their greatest strength.
The performances by both Kazan and Ballentine are commendable. Kazan perfectly captures the vulnerability and desperation of a mother trying to protect her child while battling her own demons. Ballentine’s portrayal of a rebellious teenager with hidden traumas is equally impressive.
The eerie atmosphere set up by Bertino is amplified by an excellent score composed by Tomandandy. The haunting music adds to the tension, making even the quiet moments feel foreboding.
Interestingly enough, one of the most challenging aspects of filming The Monster was finding the right location. Bertino scouted various locations before finally settling on a remote stretch of highway in Canada that had just enough vegetation to give it a creepy vibe.
While there are no groundbreaking special effects or gore fests in The Monster, it still manages to pack a punch when it comes to scares. The real horror lies in the psychological terror experienced by the characters, making it a refreshing change from the usual jump scare trope.
The movie didn’t receive much mainstream attention upon its release, but it received critical acclaim for its honest portrayal of motherhood and the struggles that come with it. The movie was praised for its unexpected twists and turns, as well as its poignant ending that leaves a lasting impact on the viewer.
In terms of awards, The Monster may not have bagged any major trophies, but it did win the ‘Best Horror Film’ award at the 2016 Fright Meter Awards and was nominated for ‘Best Film’ at the Neuchâtel International Fantastic Film Festival.
The cinematography by Julie Kirkwood is top-notch. The misty woods and dark alleys are captured in all their eerie glory, adding to the overall creepy atmosphere of the movie.
As with any good horror movie, The Monster has its fair share of memorable scenes – be it Kathy’s flashback of abuse at her ex-husband’s hands or Lizzy coming face-to-face with the titular monster. These scenes stay with you long after the credits roll.
Overall, The Monster is a must-watch for horror fans who crave something deeper than just cheap thrills. It is a haunting tale of motherhood, fear, and survival that will leave you gasping for breath by the end.
Technical Data
- Runtime : 112
- Release : 1994-10-22
- Genre : Comedy
- Cast : Roberto Benigni as Loris, Michel Blanc as Paride Taccone, le psychiatre, Nicoletta Braschi as Jessica Rossetti, Dominique Lavanant as Jolanda Taccone, Jean-Claude Brialy as Roccarotta
- Crew : Roberto Benigni as Screenplay, Roberto Benigni as Director, Roberto Benigni as Story, Vincenzo Cerami as Screenplay, Carlo Di Palma as Director of Photography
- Popularity 15.898
- Budget : 0
- Revenue : 0
- Company : IRIS Films
- Summary : A vicious serial sex killer is on the loose, and landscape gardener and shop-window outfitter Loris is the prime suspect, thanks to his unfortunate habit of getting caught in compromising situations (for which there is always a totally innocent explanation that the police fail to spot). Undercover policewoman Jessica is assigned by eccentric police psychologist Taccone to follow Loris and …
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